Compiled: 2026-08-21 · Replaces the research report of Nov. 2024 · Status: draft
About this document. This is the source dossier behind the texts and the narration for this site. It was compiled in August 2026 with AI assistance under named editorial responsibility (see About Heritage Navigator), and it replaces an earlier, AI-generated research report from November 2024 that mixed sourced facts with unsourced and invented material. The dossier was written in Danish as the working document and translated into English for this page; Portuguese place names, quotations and source titles are kept in the original.
Every factual statement carries a source number [n], referring to the source list in section 6, and a confidence grade:
Legends and traditions are kept in their own section, with a source for the fact that the story is told, not for its truth. Claims that could not be verified, or that were rejected, are listed separately so that the reader can see what was left out and why. Quotations are reproduced only where the wording was seen in the source. Dead links are recorded as dead, with the date, rather than omitted; where a page exists only in the Internet Archive, the archive URL is given. Section 5 lists what would take an archive, the municipality, the museum or a historian to settle.
Small plague chapel on the old Campo da Atalaia south of the Gilão, dedicated to the martyr São Sebastião, "tido como advogado contra as epidemias e contágios" [3][4]. The brotherhood existed by 1682 at the latest and consisted "essencialmente por oficiais da Câmara de Tavira" [1][3]. The building was rebuilt in 1745 after tendering in the town council to the masters Diogo Tavares de Ataíde and Manuel Aleixo (600$000 réis) and the carpenter Jacinto Pacheco (580$000) [1][2][8]; the dome over the chancel and the counter-curved gable are Ataíde's signature [2][3]. In 1759 the painter Diogo de Mangino undertook the chancel's paintings: ten canvases with the life of São Sebastião, marbled wall painting and the polychromy of two angels above the triumphal arch — the series is called by Santana (2008) "a mais completa recriação pictórica sobre a vida de São Sebastião existente na arte portuguesa" [2][3]. Classified by Decreto n.º 129/77 (valor concelhio, today IM) [1][2][9]; municipally owned since 1936, restored 2000-2008 and today a museum space and concert venue ("Música nas Igrejas") [1][5][15].
| Claim | Source | Grade |
|---|---|---|
| SIPA record IPA.00002895 "Capela de São Sebastião / Ermida de São Sebastião"; old no. PT050814060005; DGPC code 70899 "Capela ou Ermida de São Sebastião, com todo o seu recheio" | [1][2] | A |
| Location: Largo/Campo dos Mártires da Pátria, "antigo Campo da Atalaia, zona afastada do centro da cidade, do lado Sul do rio Gilão"; address Rua da Comunidade Lusíada; 37.122244, -7.647210 | [2][3] | A |
| Formerly freguesia Santiago, now União das freguesias de Tavira (Santa Maria e Santiago); opposite the old Cadeia Civil (now Biblioteca Álvaro de Campos), near the Quartel da Atalaia | [1][8] | A |
| Dating: the municipality's guide "SÉCULOS XV (?) – XVIII (Reconstrução)"; DGPC: "origem nos finais do período medieval, época marcada por grandes epidemias" | [2][3] | A |
| SIPA differs: "construção essencial é do séc. 17", primitive chapel "séc. 16 - provável"; the sacristy may be the remnant of the first chapel (also Anica via Wikipedia) | [1][8] | A/B |
| SIPA: Ferrari's town plan (c. 1655, perhaps a copy of a plan from the mid-16th century) shows the building as no. 5 "S. Sebastian" | [1] | A |
| Turismo de Tavira: the church mentioned as early as 1548; brotherhood 1682 — SIPA: "1682 - existe culto e uma Confraria de São Sebastião em Tavira" | [1][7] | A/B |
| The brotherhood "composta essencialmente por oficiais da Câmara de Tavira" | [3][4][5] | A |
| Early 18th century: walls "de pedra e barro em ruína parcial"; the brothers ask D. João V for funds; in 1723 the king assigns 10$500 of the municipality's revenues for repair and worship | [1] | A |
| DGPC: "Em 1723 o edifício já apresentava sinais de ruína" | [2] | A |
| 28-4-1745: town council minutes, tendering of the "obra da Igreja de São Sebastião" to Diogo Tavares de Ataíde and Manuel Aleixo, 600$000; 15-5-1745: carpenter Jacinto Pacheco, 580$000; in total 1.180$000 | [1][8] | A/B |
| SIPA: the 1745 work was "uma obra de remodelação completa da capela, incluindo a demolição e construção de paredes mais resistentes" | [1] | A |
| DGPC: the design of the gable and portal and the barrel vaults "ajustam-se ao estilo do célebre mestre-canteiro, Diogo Tavares de Ataíde"; Turismo de Tavira: design "provavelmente" by Ataíde | [2][7] | A/B |
| Ataíde: b. Faro 1711, d. Lagoa 1765, sculptor, master stonemason and architect; the municipality's architecture prize bears his name (2007) | [17][16] | B/C |
| Plan: nave única, taller capela-mor, sacristy to the north; pitched roof over the nave, "cúpula hemisférica na capela-mor" (SIPA: dome with cupulim) | [1][2] | A |
| Façade facing west/south-west: "frontão contracurvado decorado com graciosos relevos em massa", rectilinear portal with projecting cornice and curved pediment, oculus above; the sacristy with "campanário sobre a entrada" | [1][2] | A |
| 1753: D. José I grants the brotherhood "o benefício perpétuo de certas rendas da Feira de São Francisco" for the furnishing (Wikipedia: Feira de S. Sebastião, "terrado") | [1][2][8] | A/B |
| 1759: Mangino "obrigou-se … a realizar as pinturas da capela-mor, incluindo dez painéis com a 'Vida de São Sebastião', o marmoreado fingido das paredes e ainda o estofo de duas esculturas de anjos incensários" | [3][4] | A |
| DGPC: "dez telas existentes na capela-mor … realizadas em 1759, pelo pintor-dourador Diogo de Mangino, natural de Sevilha mas estabelecido em Tavira após 1754" | [2] | A |
| The museum: Mangino "pintor de óleos e dourador, nascido em Sevilha, filho de pai genovês e mãe farense", married and resident in Tavira; gilding in the Misericórdia and Carmo; paintings for N.ª S.ª dos Remédios, Castro Verde; the cycle dated 1759/60 | [6] | A |
| Last picture in the cycle: the saint after his martyrdom with palm and wreath of flowers; motif after the Legenda Aurea (MMT2724) | [6] | A |
| Wikipedia (Anica): "doirado do Senhor S.Sebastião", the high altar's painting, ten panels, "dois anjos tocheiros estofados junto ao arco-cruzeiro"; payment 225$000 réis | [8] | B |
| The nave's six arches hold canvases with "cenas da vida da Virgem, datáveis da segunda metade do século XVIII"; trompe-l'œil "produzem um forte efeito cenográfico e ilusionista" | [2][3] | A |
| Santana (2008) via DGPC: "a mais completa recriação pictórica sobre a vida de São Sebastião existente na arte portuguesa" | [2][3] | A |
| The municipality: the programme is "o que vulgarmente se designa por 'Obra de Arte Total'" | [3][5] | A |
| Sacristy: "um interessante conjunto de painéis de azulejos e um arcaz seiscentista" | [2] | A |
| After 1756: the chapel is attached to the palace of the governor/captain-general of the Algarve, moved to Tavira after the earthquake of 1-11-1755 | [1] | A |
| Procession: until the early 20th century, 19 January from the chapel to Santa Maria; 20 January back "pelos oficiais do corpo militar da cidade … música da banda do regimento" | [2] | A |
| 1936: the municipality acquires the chapel; 2-2-1969: earthquake damage | [1] | A |
| Listing: Decreto n.º 129/77, DR I série n.º 226, 29-9-1977, art. 3 "valores concelhios": "Concelho de Tavira: Capela ou Ermida de S. Sebastião, com todo o seu recheio"; converted to IM under Lei 107/2001 art. 112 n.º 2 | [9][2][1] | A |
| 1993 "encerrada e em progressivo estado de abandono" (Salvé-Rainha & Lopes 2013) | [8] | B |
| Restoration: 2000 the nave's paintings; 2004/05 high altar, canvases, figures, azulejos, floors; 2006 structure, electricity, water, surroundings; 2005 theft of works of art, reproductions made; inaugurated 25-4-2008; 2016 new tender | [1][2][5] | A |
| The museum: "Após obras de conservação e restauro em 2008" opened as a museum space without "suportes museográficos 'intrusivos'", with a visitor guide; "palco do programa Música nas Igrejas"; open during activities | [5][15] | A |
| Guided tours: 21-3-2015 (Daniel Santana); 20-1-2024 at 10.30 (Ricardo Louro), "um dos tesouros do património cultural de Tavira" | [14][13][11][12] | A/B |
| Santos (2018): São Sebastião, São Roque and São Lázaro as a symbolic "cordão" against plague, "cujos padroeiros estão todos conotados com a proteção contra a peste" | [10] | B |
docs/kildemateriale/kort/) —
SIPA says no. 5 "S. Sebastian" [1]; should be checked on the original.