Above the door sits a heart in flames, pierced by a dagger. It is the sign of Our Lady of Sorrows and the best thing the chapel has to show from the outside. Capela de Nossa Senhora da Piedade is a small baroque chapel from the second half of the 1700s, built for a lay brotherhood, in 1758 according to the municipal church guide. It stands where the town gate Porta da Vila led through the wall down to the river. The gate has been demolished, the chapel remained, and opposite it stands the town's old main fountain, Fonte da Praça, today the water supply's visitor centre. Nobody goes to Tavira for this chapel, but it is the most precise place to stand if you want to know where the town once ended.
The chapel stands on the small square where Rua dos Pelames and Rua Gonçalo Velho meet, a few steps from the Gilão. This is where Porta da Vila stood, one of the town gates. The gate is gone, but the wall can still be read. The houses along Rua dos Pelames are built on top of it and follow its line. The facade faces west, onto the square. Directly opposite stands Fonte da Praça, the town's most important fountain, later a pumping station and since 2009 the visitor centre for Tavira's water supply.
The municipal church guide has no doubts: "Este templo de pequenas dimensões, perto da Fonte da Praça, pertencia à confraria de Nossa Senhora da Piedade e foi construído em 1758, junto à muralha do castelo." SIPA is more cautious and writes second half of the 1700s, a new building or the rebuilding of an older chapel. Where the year 1758 comes from, neither of them says. The English church guide writes 1578. That is a misprint.
The door is the most ambitious thing about the building. The portal resembles the portals of Convento da Graça, which Diogo Tavares (Faro 1711, Lagoa 1765) designed, and SIPA therefore links the chapel to his circle. The facade is a gable with a broken, counter-curved pediment between two volutes, an elliptical oculus above the door and the flaming heart in relief in the tympanum. SIPA calls it scenographic. That is putting it politely. It is bigger than what it hides.
Inside, the space is short, a single nave with a barrel vault and no chancel. All the light comes from the oculus. To the north, two round arches were later opened into a lower side nave; when, no source says. At the end stands a rococo altarpiece in gilded talha from the late 1700s, with a concave central panel behind glass, where the painting of Nossa Senhora da Piedade hangs. The wooden floor was replaced with clay tiles in the 1980s, and a gravestone in front of the altar disappeared at the same time, nobody knows where to.
None of the official sources give opening hours, so expect the door to be closed and look at the facade from outside; the municipality has put up a small plaque with the chapel's history. Stand with your back to the water centre and you have the facade as it was intended. Travessa da Fonte on the south side leads to Igreja da Misericórdia. Do not confuse the chapel with Convento das Bernardas, which is also dedicated to Nossa Senhora da Piedade.
The site was one of the most important in the old town: the town gate down to the river, and right beside it the town's most important public fountain. Whoever built a chapel here built it where everyone passed by, and that explains the facade. It is arranged for the square, not for the room behind it, and SIPA writes that it is the chapel that determines the shape of the square. When Porta da Vila was demolished, the square lost its coherence, but the chapel and the fountain still face each other.
The listing case is the chapel's longest story. The municipality proposed listing in 1983, the case was opened in 1991, and in 1996 the minister ruled that the chapel was of municipal interest. In 2010 IGESPAR found that the chapel belongs to Diocese do Algarve and therefore cannot be listed by the municipality, and in 2024 CCDR Algarve proposed starting over at national level. After forty years the status is still "em vias de classificação". It is a better story about administration than about the chapel, but it shows how hard it is to list small church buildings that the church owns.